Archive »Metal News

Popular Metal News

    Buy Gabapentin Online

The Persevering Promise Release Music Video For Cover Of Maroon 5’s “Animals”


The Persevering Promise have released a music video for their cover of Maroon 5’sAnimals.” The band’s current album, “An Illusion in Shambles“, which includes featured artists such as, Ronnie Winter of Red Jumpsuit Apparatus, Shawn Spann of I, The Breather, and Chad Ruhlig of For The Fallen Dreams/Legend landed The Persevering Promise at #8 on Billboard Heat Seekers chart this summer and is available now on all digital outlets.

LYCHGATE – Album cover + track list announced / New song premiered


The classical cover art and track listing are unveiled for academic, apocalyptic black metal unit Lychgate’s sophomore opus “An Antidote for the Glass Pill”.
The label says: ‘The album is the ceremonial, liturgical extension of the band’s well-acclaimed, doom-laden debut. Taking two painstaking years to execute, the seminal work is vast in concept, continually wandering into the garden of opulence and genius. The record is also perhaps the only black metal album in history that features full accompaniment by a professional church pipe organist throughout.’
The band features Greg Chandler from funeral doom legends Esoteric on guitar, vocals, and studio engineering duties, guitarist V. (The One, Spearhead), drummer T.J.F. Vallely (Macabre Omen), bassist A. K. Webb (Ancient Ascendant) and guitarist S.D. Lindsley.
“An Antidote for the Glass Pill” [2015] is to be released via Blood Music (Fin/USA) on August 18th, 2015. Pre-orders are to commence on May 29th, 2015.

Track list:

1. Unto My Tempest
2. Davamesque B2
3. I Am Contempt
4. A Principle on Seclusion
5. Letter XIX
6. Deus Te Videt
7. The Illness Named Imagination
8. An Acousmatic Guardian
9. My Fate to Burn Forever
10. The Pinnacle Known to Sisyphus

A second track from Lychgate’s conceptual opus “An Antidote for the Glass Pill” is currently streaming online.
“An Acousmatic Guardian”



Agony in the Garden – Mack Perry


Agony in the Garden is an alternative metal band based in Dayton, OH, fronted by Mack Perry.  Agony’s new EP, Where Olympus Dwells, was released May 1.


  • Tell us a little bit about how Agony was started.   I honestly have no idea. Lol! Just kidding. When I first began it all started as instrumental style music, inspired and influenced by Joe Satriani, John Petrucci and a host of others as well as all the tutorial media I could find. I started writing band style music much later, approximately 9 years after I picked up an axe.
  • How, exactly, would you explain the genre of your music?  That is a very good question. I?m not exactly sure. My influences span from Andre Segovia to Ronnie James Dio. I firmly believe that bands, music and artist move from genre to genre visa vi the listener depending on what is needed at that exact moment. So I hope to continue this tradition allowing anyone who listens to put Agony where they need to.
  • Your new EP ? Where Olympus Dwells ? was released recently. What inspired the music on this EP?  A variety of things. Yes I know this is completely vague and in generalized. The truth is from the mighty to the minuscule I find myself inspired. I carry this very same theme through life. The fuel of passion, to be remembered by any who took the time to listen and in turn become inspired, a bit of a paradox but nothing short of the truth.
  • Which song on the Where Olympus Dwells sums up the message of the EP?  Where Olympus Dwells, ?You can?t kill what won?t bleed let them do what they will.? This song says no matter what you?re going through as long as you wake daylight never dies. It?s never too late.
  • Tell us a little bit about the new single, Rain.  Rain was written as a trailer-theme for the most excellent book Garden by Jane Yates. She is working to have the book made into a movie where it would be used as well. Rain?s theme symbolizes the power of self, strength and rebirth, literally starting over at any point in your life. Reinventing yourself whenever you should need the Rain.
  • I understand you were recently added to the endorsed musicians at WT Foster guitars. Tell us a little about how that came about.  Sorry job security! Lol! Literally I woke up one day and found this momentous boon. I am beyond honored to be added to the roster of guitar endorsees. I will do my very best to match this beautifully crafted work of art note for note. Simply put I?ve been blessed.
  • What are your future plans musically?  I hope to inspire anyone who takes the time to listen. I plan to put together a touring band. Like everyone out there I would love at least one OBBE, out of box band experience. Touring as soon as possible bringing the music to fans via any venue that will have Agony, along with plenty of benefit concerts, making sure all over the world people have a warm place to sleep and food to eat. I truly hope to pay it forward.
  • Where can we find you online? is the honeycomb hideout for links to Agony?s social media sites, links to purchase music and merchandise, links to sponsors as well as exciting news and current events.
  • Is there anything else you would like to add that we haven?t talked about?  I would just like to thank you for this fantastic interview and everyone for taking the time to read it as well as all the friends and fans who have been on this musical journey with Agony. More than words my friends.

CATTLE DECAPITATION To Release The Anthropocene Extinction This August Via Metal Blade Records; First Single Unveiled + Special Record Release Show Announced


Anthropocene, a proposed term for the present geological epoch (from the time of the Industrial Revolution onwards), during which humanity has begun to have a significant impact on the environment.

In 2012, CATTLE DECAPITATION shocked the metal world with what was revered by fans and haters alike as their best album to date, Monolith Of Inhumanity. Here we are, three years later, CATTLE DECAPITATION and Metal Blade Records are pleased to unveil to the world the band’s magnum opus with The Anthropocene Extinction, set for world wide release August 7th, 2015.

Reenlisting Monolith Of Inhumanity producer Dave Otero (Allegaeon, Cephalic Carnage), CATTLE DECAPITATION returned to Flatline Audio in Denver, Colorado, eager to revisit the close collaboration that helped bring that record to life. “Dave is a bonafide producer,” elaborates vocalist Travis Ryan. “He’s got a lot of great ideas and this time we heard him out pretty religiously because making Monolith… had worked out so well. We’ve always kind of co-produced our records with whoever we brought in, but these last two we did a lot more listening to what he had to say rather than just sticking with what we were saying. Sometimes we shot down his ideas and vice versa, but that discussion was always beneficial. He basically becomes the fifth member of the band at that point, and I think that kind of relationship is the best way to get anything out of anybody.”

CATTLE DECAPITATION also enlisted a surprising array of guests to help achieve their vision. The one and only legendary PHILIP H. ANSELMO lends his throat to “The Prophets Of Loss” while recent signee to his Housecore Records label, fellow San Diegan and friend of the band, AUTHOR & PUNISHER, brings forth the industrial damnation as an intro to the track “Plagueborne.” Additionally, Germany’s dark metal misanthrope, MR. JURGEN BARTSCH of the almighty BETHLEHEM, lends a spoken word piece in his native tongue to the apocalyptic final track “Pacific Grim.” Your body simply is not ready.

The record also sees the band extending their collaboration with illustrator Wes Benscoter, who’s handled the artwork for every CATTLE DECAPITATION release since 2002’s To Serve Man. “When we work with Wes, he becomes a member of the band,” says Ryan. As always, Benscoter formulated striking imagery that conveyed the record’s themes in unflinching style, the cover featuring a bloated and distorted corpse washed up on a beach, its torn abdomen disgorging a mass of waste plastic.

Whereas Monolith Of Inhumanity dealt with what could become of the earth and its life forms had humans continued their present course, with The Anthropocene Extinction we have been transported forward to man’s last gasps, reminiscent of what is currently going on with the Laysan Albatrosses on the island of Midway Atoll. The birds and aquatic wildlife of the Pacific Ocean are mistaking the vast amounts of man-made plastic items for food, ingesting it and are dying in large numbers, rotting where they fall and exposing to the world what is happening to the ecosystems of the earth’s oceans – the most unknown and unexplored part of our planet. The Great Pacific Garbage Patch of the North Pacific Gyre is just part of the problem – there are five gyres on planet earth and they’re all filling with plastic waste outnumbering the plankton vital for the ocean’s ecosystems. The breakdown of the earth’s ecosystems has begun long ago due to human interaction as well as the domino effect that will surely seal the fate for our species: The Anthropocene Extinction.

The Anthropocene Extinction Track Listing:
1. Manufactured Extinct
2. The Prophets of Loss
3. Plagueborne
4. Clandestine Ways (Krokodil Rot)
5. Circo Inhumanitas
6. The Burden Of Seven Billion
7. Mammals In Babylon
8. Mutual Assured Destruction
9. Not Suitable For Life
10. Apex Blasphemy
11. Ave Exitium
12. Pacific Grim

In related news, on Friday, July 11th, fans can join CATTLE DECAPITATION at the Brick By Brick in San Diego, California where the band will be playing a special, advanced CD release show in honor of The Anthropocene Extinction. Joining CATTLE DECAPITATION for this special occasion will be Author & Punisher, Noctuary, and Mortuus Terror. Those in attendance will have a chance to win some killer prizes courtesy of Metal Blade Records and the band making this a show not to be missed. So if you are a local or just in town for the infamous San Diego Comic-Con, make your way down to the Brick By Brick — just short ride away from the SD Convention Center — and prepare to meet your doom!

The Anthropocene Extinction will be released August 7th, 2015 via Metal Blade Records.

Travis Ryan – Vocals
Josh Elmore – Guitar
Derek Engemann – Bass
Dave McGraw – Drums


The pioneers of industrial-tinged extreme metal, FEAR FACTORY, will hit the road this July in anticipation of their upcoming Nuclear Blast Entertainment debut. ?We are beyond excited and honored to be touring with our great friends in COAL CHAMBER,? states the group. ?It’s been years since both bands have shared the same stage together. It?s funny that it took us all these years to actually tour together but we are stoked that it?s finally happening!?

Tickets go on sale everywhere on Friday May 22nd at 10 am local time. Additional headlining FEAR FACTORY shows to be announced shortly.

07/24/15 Rialto Theatre ? Tucson, AZ**
07/25/15 Sunshine Theater ? Albuquerque, NM**
07/26/15 Tricky Falls ? El Paso, TX**
07/28/15 Alamo City Music Hall ? San Antonio, TX*
07/29/15 Gas Monkey ? Dallas, TX*
07/30/15 Granada ? Lawrence, KS*
07/31/15 Pop?s ? Sauget, IL*
08/01/15 Bogart?s ? Cincinnati, OH*
08/02/15 Track 29 ? Chattanooga, TN*
08/03/15 The Orange Peel ? Asheville, NC*
08/04/15 Music Farm ? Columbia, SC*
08/06/15 Concord Music Hall ? Chicago, IL*
08/08/15 Water Street Music Hall ? Rochester, NY*
08/10/15 London Music Hall ? London, ON*
08/11/15 Irving Plaza ? New York, NY*
08/12/15 The Chance ? Poughkeepsie, NY*
08/15/15 Underground Arts ? Philadelphia, PA**
08/16/15 Agora ? Cleveland, OH**
08/18/15 Bourbon Theatre ? Lincoln, NE**
08/19/15 The Summit Music Hall ? Denver, CO**
08/20/15 The Complex ? Salt Lake City, UT**
08/21/15 Brooklyn Bowl ? Las Vegas, NV**
08/22/15 The Observatory ? Santa Ana, CA**

FEAR FACTORY?s as-of-yet-untitled 9th studio album is tentatively scheduled for a release this Summer. The record was co-produced by long-time collaborator Rhys Fulber, along with Cazares and Bell and mixed by Andy Sneap (ARCH ENEMY, TESTAMENT, EXODUS, MACHINE HEAD).

Formed in Los Angeles, California in 1989, FEAR FACTORY changed the world of metal and have become a huge influence on the genre ever since their inception. The band?s unique sound helped bridge the gap between death metal, grindcore, thrash, and industrial on landmark releases like Soul Of A New Machine, Demanufacture, and the gold-selling release, Obsolete.

FEAR FACTORY’s latest album, The Industrialist, debuted at position No. 38 on the American Billboard Top 200 chart in 2012. The band’s 2010 release, Mechanize, debuted at No. 72 on the American Billboard Top 200.

Philip H. Anselmo’s Housecore Horror Festival Returning For Year Three

Legendary metal frontman and Housecore Records founder, Philip H. Anselmo, is bringing his horror-themed film and metal festival back for a third year. After a great ride in Austin, the festival will kick off in San Antonio, Texas at the Aztec Theater on November 13th -15th, 2015.

The decision to return was driven by the desire to honor his friend and festival co-founder, Corey Mitchell, who tragically passed away last October. Mitchell was the driving creative force behind the festival’s success, and Anselmo believes there is no better way to pay tribute to his friend than to carry on for a third year.

“I’ve got a great team in place to help make this what Corey and I wanted it to be,” he says. “There are a lot of mixed emotions here because no one can replace him. But, we know he would want this to continue and so that’s what we’re going to do. We miss him and think about him every day.”

Bands already confirmed to play are Suffocation, Autopsy, Cripple Bastards, Nails, SYk & Dalila Kayros, YOB, Eyehategod, Child Bite, Warbeast and many more to be announced soon. Maryland Deathfest co-founder Ryan Taylor will be booking bands this year and will help Anselmo craft a musical lineup that would make Mitchell proud.

In addition to showcasing the best in extreme metal, the festival will screen film gems from the personal vaults of both Anselmo and Mitchell. Horror filmmakers are encouraged to submit their films and winners will be selected in various categories and given the coveted Rot-Scar Award. “When Corey and I started this thing, it was important to us that we help independent filmmakers get their incredible work discovered,” Anselmo continues. “Nothing has changed, in that respect.”

1349 and NECROPHAGIA announce special guests for the “Chaos Raids 2015” tour

Norwegian black metal tyrants 1349 and cult death metal pioneers NECROPHAGIA have announced special guests for different regions of the new North American “Chaos Raids” tour. The “Chaos Raids” tour kicks off on May 30 and includes VATTNET VISKAR. Added to the tour are BLACK ANVIL for the performances in Baltimore and Brooklyn, ATRIARCH in Seattle and Portland, and EARLY GRAVES will be performing in Oakland and San Diego respectively. A full list of confirmed tour dates can be found below.

1349 is touring in support of their new album, ‘Massive Cauldron of Chaos’. The album, which has been called a “another career-defining release which will surely confirm their place among black metal’s more promising groups.” (Sputnik Music), and a “musical, versatile effort that should earn 1349 a high degree of respect going forward” (Metal Injection) is streaming here.

NECROPHAGIA is touring in support of their new album, ‘WhiteWorm Cathedral. The album, which has been called “Simple, sick and heavy” (Metal Injection), and “career-defining, solid, consistent work which brings together thirteen tracks, drawn from one source of inspiration yet each performed to stand out among one another.” (Sputnik Music), is streaming here.

1349 and NECROPHAGIA tour dates:
May 30 Baltimore, MD@ Ottobar W/BLACK ANVIL
May 31 Brooklyn, NY @St. Vitus W/BLACK ANVIL
June 01 Montreal, QC @ Foufounes Electriques
June 02 Toronto, ON @Mod Club
June 03 Rochester, NY @ Montage Music Hall
June 04 Chicago, IL @ Cobra Lounge
June 05 St. Paul, MN @ Amsterdam Bar
June 06 Des Moines, IA @ Hell Over Iowa Fest – Val Air Ballroom
June 07 Denver, CO @ Marquis Theatre
June 09 Boise, ID @ The Crazy Horse
June 10 Seattle, WA @ Club SUR W/ATRIARCH
June 11 Portland, OR @ Panic Room W/ATRIARCH
June 12 Oakland, CA @ Metro Opera House W/EARLY GRAVES
June 13 San Diego, CA @ Brick by Brick W/EARLY GRAVES
June 14 Phoenix, AZ @ Joe’s Grotto
June 15 El Paso, TX @ Mesa Music Hall
June 16 San Antonio, TX @ Korova
June 18 New Orleans, LA @ Siberia
June 19 Orlando, FL @ The Haven

MARUTA To Blast Five Tracks In Five Days As Remain Dystopian LP Nears Release

Now just two weeks from release is Miami grindcore squad MARUTA’s third LP, and first for Relapse Records; Remain Dystopian. Easily one of the extreme metal highlights of this year, the unstoppable album advances the genre with forward-thinking dementia jacked-into the brutalizing blasting core, and with the aid of several special guest appearances, makes for an incredibly satisfying platter of 21st Century grind.

For five days in a row, Relapse will unload a massive MARUTA smear campaign, dispatching five brand new tracks from Remain Dystopian, beginning right now, the barrage leading off with a premiere of “Genocide Interval” with American Aftermath. Through the rest of the week, Heavy Blog Is Heavy will release “Protocol for Self Immolation” tomorrow, Decibel Magazine will unload “Erode” (featuring JR Hayes of Pig Destroyer) on Wednesday, No Clean Singing breaks out “Slaying Jehova” on Thursday, and New Noise Magazine wraps up the crusade with “The Void Within” on Friday.

MARUTA sets their hometown ablaze on June 6th at a release show for Remain Dystopian, after which they’ll embark on a European tour in support of the LP, running from June 25th through July 11th where it will come to a close at the mighty Obscene Extreme Festival. Subsequent widespread North American touring will be announced in the coming days as well.


6/06/2015 Churchill’s Pub – Miami, FL — Record Release Show w/ Orbweaver, Sacridose

6/25/2015 Maguires Pizza – Liverpool, UK

6/26/2015 The Red Lion – Bristol, UK

6/27/2015 The Unicorn – London, UK

6/28/2015 The Pit’s – Kortrijk, BE

6/29/2015 Les Runes – Brodeaux, FR

6/30/2015 Les Pavillons Sauvages – Toulouse, FR

7/01/2015 Stage Live – Bilbao, SP

7/02/2015 TBA – Madrid, SP

7/03/2015 TBA – Barcelona, SP

7/04/2015 TBA – Turin, IT

7/05/2015 Circolo Colony – Brescia, IT

7/06/2015 Dürer Kert – Budapest, HU

7/07/2015 RC Brooklyn – Brno, CZ

7/08/2015 Reil 78 – Halle, DE

7/09/2015 TBA

7/10/2015 Black Fleck – Potsdam, DE

7/11/2015 Obscene Extreme – Trutnov, CZ

Named after a special project during World War II in which the Imperial Japanese Army used human beings for torturous scientific experiments, the newest phase in MARUTA’s modus operandi comes in the form of their fourth LP, and first for Relapse, with Remain Dystopian. Delivering seventeen demanding and damaging tracks in under twenty-eight minutes, the album is made all the more dangerous with the assistance of contracted outside henchmen for the multiple-studio recording of the album — including drums with Pig Destroyer’s Scott Hull and vocals with Torche’s Jonathan Nuñez — with additional torment tactics provided by Pig Destroyer’s J.R. Hayes, Agoraphobic Nosebleed’s Jay Randall, and Tomas Lindberg of At The Gates.

SKINLESS: New York Death Dealers Traumatize Ears With “Barbaric Proclivity,” Now Streaming At MetalSucks; Only The Ruthless Remain To Drop In Two Weeks

[photo by Shaun MacMahon]

In just two weeks, reanimated New York death metal miscreants, SKINLESS, will lacerate ears with the sadistic grooves of Only The Ruthless Remain. Boasting their classic late ’90s lineup of founding guitarist Noah Carpenter, vocalist Sherwood Webber, bassist Joe Keyser and drummer Bob Beaulac, with the recent addition of second guitarist, Dave Matthews, Only The Ruthless Remainmarks the band’s first proper full-length offering in nearly a decade.

Crowned, one of the finest albums in SKINLESS‘ repertoire,” in an early 9/10 review of the record by Apoch’s Metal Review who furthers, “This isn’t just an album SKINLESS fans will lovingly embrace, but a creation that stands as one of the top offerings of 2015 within the death metal genre, proving the time away from the studio, as well as one another, has only strengthened them as a unit,” Only The Ruthless Remain was captured by Tom Case at Edie Road Studio and Doomsday Bunker Studio, both in upstate New York, with vocals tracked by Dave Otero (Cephalic Carnage, Primitive Man etc.) at Flatline Audio in Denver, Colorado, and the entire slab of audio violence mastered by Brad Boatright (Obituary, Nails, Integrity etc.) at Audiosiege in Portland, Oregon.

In celebration of its official detonation next month, today MetalSucks hurls forth the world-collapsing sounds of closing pounder, “Barbaric Proclivity.”

“It’s the kind of song that I love for its raw intensity,” relays Webber bluntly. “It’s a true-to-form, knuckle-dragger. Fuck technicality; fuck beats-per-minute. If you want a raw, heavy, New York style skull crusher, this one is for you, and will beat the rest into submission.”

MetalSucks agrees: “This track is straight-up bloodthirsty… If you played it for one of rage-zombies in the movie 28 Days Later, they’d be like, ‘Whoa, too harsh, bruh! Chill!’ It will grab you by your waist and squeeze your innards out of your mouth like so much toothpaste…. worth the wait.”

Witness the sonic pummel of “Barbaric Proclivity,” currently monopolizing the airwaves of MetalSucks, at THIS LOCATION.
SKINLESS will bring their onstage butchery to Baltimore later this week as part of this year’s Maryland Deathfest as well as Hellfest in France this June with further live incursions to be announced in the coming weeks. Stand by.

5/21/2015 Maryland Deathfest @ Soundstage – Baltimore, MD
6/20/2015 Hellfest Open Air – Clisson, FR

Only The Ruthless Remain includes artwork by Ken Sarafin and will be unleashed on CD, LP and digitally via Relapse Records on June 2nd, 2015 in North America (June 1st in the UK/EU and May 29th in DE/Benelux/Finland). Limited Relapse 25 Year Anniversary editions of the CD and LP will also be available.

WORMED begin recording new album

Sci-fi technical death metal masters WORMED have entered Sadman studios in Madrid to begin the band’s forthcoming 3rd studio album, and first for Season of Mist. Pictures of the ongoing recording process are available at the official WORMED Facebook page.

Regarding the forthcoming album, the band comments:

“The material we are recording for the new album can be described as an epic and supermassive attack of nanomachines, molecular blast beats in warp drive, riffing algorithms from the pulsar and non-organic voices from galaxy’s central black hole, closing the trilogy. A prequel that reveals the events leading up to Krighsu’s mission.

Prepare your brain structures for one of the most extreme acoustic pressures ever written by WORMED.

Will your human neurons withstand the pressure?”

One of the most respected bands in the international death metal underground, WORMED (Phlegeton : Vocals, Migueloud : Guitar, J.Oliver: Guitar, Guillemoth : Bass, G-Calero: Drums) has earned a well-deserved reputation as an undeniably extreme and creative force.   The band exploded onto the scene with their cult 2003 debut, ‘Planisphaerium’.  WORMED has since toured the world, playing in prominent international festivals as such as Maryland Deathfest (MDF), Neurotic Death Fest, SWR Barroselas Metalfest, Death Feast Open Air, Mountains of Death, Obscene Extreme Festival and more.

What the press is saying about WORMED:

“Weird, adventurous modern death metal had a banner year in 2013. This is my favorite example. …genius in practice, Wormed use thrusters of pure shred to launch slam-happy brutal death metal through the techkinox wormhole and into the cosmos.” -One of Stereogum’s – 50 Best metal albums of 2013

“With swine-like growls and switchback riffs cutting razor-sharp corners like a Tron light cycle, WORMED’s “The Nonlocality Trilemma” is engineered to bludgeon you into multidimensional submission. …yet for all its disorientation, there’s something rational about the structure of it all. Wormed goes beyond: This music is alien, unknown.” – NPR

“…it?s pretty unassailable, if you?re a fan of savage blast beats, sci-fi riffing, and ultra-downtuned chugs that will make you want to punch holes in your living room floor. …heavy and hyper-aggressive, but still extremely technical and complex, music.” – Phil Freeman, Burning Ambulance

“Wormed’s Exodromos was an album that felt captivating. It’s bleak lyricism mixed with Dillinger Escape Plan soundscapes pulled together a mangled and manic experience.” – Metal Injection

“[WORMED] spends much of its discography unearthing lyrical themes of astronomy, astrophysics, biology and human evolution with an extremely deep and complex analysis.”- Westword

“Wormed are working feverishly to expand the genre’s borders. ” – Hank Shteamer, Noisey

LAMB OF GOD to Release New Album “VII: Sturm Und Drang” – Available Worldwide July 2015 via Epic Records

Grammy-nominated, chart-topping Richmond, VA based heavy rock band LAMB OF GOD will release their highly-anticipated seventh full-length album, VII: Sturm Und Drang, worldwide this July via Epic Records. Today, after weeks of hinting at fans about the imminent release, the band is unleashing a brand new track, ?Still Echoes?, via

LAMB OF GOD?s last album, the 2012 Grammy-nominated Resolution, debuted at #3 on the US Billboard Top 200, #1 on the US Top Hard Rock and Rock Album charts, #2 on the Canadian albums chart, and #3 on the Australian albums chart.

?Still Echoes? will be available via all digital retailers and streaming services beginning Monday, May 18th.

LAMB OF GOD frontman Randy Blythe states, ?The time has come to give the fans their first taste of the new LAMB OF GOD album. This is a very, very dark, yet sonically highly varied, record. As it’s always good to come out of the gate hard with a fast and aggressive one, we chose this track “Still Echoes” to kick it off. Enjoy/destroy.?

VII: Sturm Und Drang is once again produced and mixed by Josh Wilbur with engineering by Wilbur, Nick Rowe, and Kyle McAulay, and was recorded at NRG Recording Studios in North Hollywood, CA and Suburban Soul Studios in Torrance, CA.

Catch LAMB OF GOD on tour this summer with Slipknot, Bullet For My Valentine and Motionless In White:


LAMB OF GOD W/ Slipknot, Bullet For My Valentine & Motionless In White


GHOUL: The Hooded Henchmen Of Creepsylvania Set To Pillage Your Village On The Weapons Of Mosh Destruction 3-D Tour; Band Added To GWAR B-Q 2015

The hooded henchmen in GHOUL are fleeing their delightful dungeons of Creepsylvania to pillage your village on this year’s Weapons Of Mosh Destruction trek, now in stunning 3-D (glasses not included, swine). The three-dimensional lashings will initiate tonight, May 15th in Denver, Colorado and spread its chaos and disease through nearly three-dozen cities with an included infiltration of the Maryland Deathfest in Baltimore. Team GHOUL will unite with California grind hooligans, Phobia, and Ohio scumsmiths, Nekrofilth.

Additionally, the masked menaces were recently added to the sixth annual GWAR B-Q in Richmond, Virginia this August to perform their repugnant requiems and public decapitations. The fetid festivities follow the band’s decimating performance at Kirk Von Hammett’s Fear FestEvil!

Issues Digestor, lead doer of deviousness, “GHOUL is on our way to your wretched country to once again scour the baked on scum from the crock pot of civilization. Sadness? Misery? Brutal totalitarian oppression? You’re soaking in it! GHOUL is also happy to announce that we will be playing the one and only GWAR B-Q! We look forward to receiving abuse, sexual and otherwise, from our fiendish overlords in GWAR, and sopping up their gore-soaked leavings in our palpitating jaws. Also, we will be playing some songs, time permitting.”

GHOUL on the Weapons Of Mosh Destruction 3-D Tour w/ Phobia, Nekrofilth:

5/15/2015 Mo’s – Denver, CO
5/16/2015 Vaudeville Mews – Des Moines, IA
5/17/2015 Reggie’s – Chicago, IL
5/18/2015 Now That’s Class – Cleveland, OH
5/19/2015 Cattivo – Pittsburgh PA
5/20/2015 Saint Vitus Bar – Brooklyn, NY
5/21/2015 Voltage Lounge – Philadelphia, PA
5/22/2015 Maryland Death Fest – Baltimore, MD
5/23/2015 Maryland Death Fest – Baltimore, MD
5/24/2015 New Mountain – Asheville, NC
5/25/2015 The Earl – Atlanta, GA
5/26/2015 The Hi-Tone – Memphis, TN
5/27/2015 Siberia – New Orleans, LA
5/28/2015 Fitzgeralds – Houston, TX
5/29/2015 Red 7 – Austin, TX
5/30/2015 The Korova – San Antonio, TX
5/31/2015 Three Links – Dallas, TX
6/02/2015 Club Red – Mesa, AZ *
6/03/2015 Til Two – San Diego, CA *
6/04/2015 Megasound Strudios – Ventura, CA *
6/05/2015 Constellation Room – Santa Ana, CA *
6/06/2015 Los Globos – Los Angeles, CA *
6/07/2015 DNA Lounge – San Francisco, CA *
8/14 – 16/2015 GWAR B-Q – Richmond, VA
*no Nekrofilth

REVOCATION Launches New Lyric Video For “Labyrinth Of Eyes;” Tour With Veil Of Maya Begins Next Week

REVOCATION returns to the road this month supporting Veil Of Maya. The Matriarch Tour begins on May 20th in Detroit and winds its way through the east coast, the south, and up into western Canada for a final show on June 14th in Winnipeg. A trailer for the tour can be seen now HERE. Tickets are on sale through your local ticket outlet.

In conjunction with the tour dates, REVOCATION has launched a series of lyric videos by fellow guitarist and director/animator, Nick Hipa. The first, “Labyrinth Of Eyes,” is viewable now;

REVOCATION w/ Veil Of Maya:
5/20/2015 Crofoot – Detroit, MI
5/21/2015 Altar Bar – Pittsburgh, PA
5/22/2015 Waterstreet Music Hall – Rochester, NY
5/23/2015 Revolution – Long Island, NY
5/24/2015 Chameleon Club – Lancaster, PA
5/25/2015 Canal Club – Richmond, VA
5/26/2015 Lincoln Theatre – Raleigh, NC
5/27/2015 Zydeco – Birmingham, AL
5/28/2015 Underbelly – Jacksonville, FL
5/29/2015 Culture Room – Ft Lauderdale, FL
5/30/2015 State Theater – Tampa, FL
6/02/2015 Mesa Music Hall – El Paso, TX
6/03/2015 The Rock – Tucson, AZ
6/04/2015 Hard Rock – Las Vegas, NV
6/06/2015 Ace of Spades – Sacramento, CA
6/07/2015 Hawthorne Theatre – Portland, OR
6/08/2015 Studio Seven – Seattle, WA
6/11/2015 The Republik – Calgary, AB
6/12/2015 The Pawn Shop – Edmonton, AB
6/13/2015 The Exchange- Regina, SK
06/14/2015 Pyramid Cabaret – Winnipeg, MB

REVOCATION has spent the last eight years converting fans to their cause with four full-length albums, an EP with Scion AV, and a charismatic live show led by guitarist/vocalist Dave Davidson. The Boston-based band also features the staggeringly talented lineup of Dan Gargiulo on guitar, and Brett Bamberger on bass. REVOCATION has firmly been established as one of the genre’s finest and continue their campaign as part of the Metal Blade Records roster. The band’s latest full-length, Deathless, was recorded with acclaimed producer Zeuss at Planet Z Studios in Massachusetts.

Deathless debuted on the Billboard Charts beating their previous album by more than 30 spots to land at #124 on the Top 200 Chart. Deathless also debuted at #10 on the Billboard Hard Music Albums Chart (Current), #114 on the Billboard Top Current Albums Chart and #1 on the Billboard New Artist Chart. This is REVOCATION’s second straight debut on the Top 200 Chart.

GWAR B-Q Tickets Go On Sale MAY 22nd! Band Lineup Stacked Like Your Best Friends Mom

The Bohab’s (and their Moms) have started to grow impatient wanting to know how to get their tickets for the GWAR B-Q. Now, your Mutant Overlords are ready to satisfy them and the rest of the world by announcing the ticketing sale date for this years GWAR B-Q. TICKETS GO ON SALE MAY 22nd! There are three levels of tickets available, so don’t waste the chance to secure your corpse a spot at the top of the heap. Here are the ticket options. Choose your level of dedication before decapitation.

Pre-Sale- $45 Ticket – Limited Quantity. On sale MAY 22 at MIDNIGHT!
Standard- $55 Ticket – All day entry
Deluxe- $75 Ticket – All day entry and official GWAR B-Q t-shirt
Premium/VIP- $299 Ticket (Limited Quantity 200) – All day entry, official GWAR B-Q t-shirt, B4BQ pre party show entry at TheNational, VIP Laminate with exclusive access to VIP area, Restrooms and Express Lanes including Main Gate entry, Merchandise Booth and Beverages Ticket Kiosks. Not to mention, the mattress peak of any Bohab’s miserable existence, a Meet & Greet signing with GWAR and a possible chance to appear on stage with GWAR. Only 200 of the most diehard, soon-to-die fans will be allowed to secure a Premium ticket which will be mailed to you prior to the event, so you can bypass the human scum waiting in line and get in first!


This year’s GWAR B-Q will be nothing short of an outrageous, wet-n-wild orgy of hard music, super cool art, and delicious food. The main event will be held, horns high, Saturday, August 15th at Hadad’s Lake (7900 Osborne Turnpike Richmond, VA 23231) in beautiful and historic Richmond, Virginia, the only city crazy enough to have produced the slaves of GWAR.

Early April saw the announcement of the first bands slated to play this year’s event. Of course your Lords and Masters, GWAR will be playing a special 30th Anniversary career spanning set. The initial announcement of bands boasted artists including The Descendents, Down, The Dickies, Goatwhore, MC Chris, and Dead Earth Politics. That’s a fucking amazing lineup right there, but that’s just the tip of the iceberg. The Scumdogs have confirmed an additional slew of bands for the GWAR B-Q. NYHC legends Cro-Mags are joining the already stacked lineup alongside Ghoul, Cancer Bats, Ringworm, American Sharks, Mutoid Man, Valkyrie, Child Bite, and RVA legends, RPG. Holy shit that’s a crazy lineup… And there’s more exciting news coming on that front!

Legions of fanatical fans are expected to descend on Richmond to share in the celebration of 30 YEARS of GWAR! The event’s expansion to a full three day weekend includes the annual kick-off party, the B4BQ, at The National on Friday, August 14th and a new closing party, The Brutal Brunch, which will be launched on Sunday, August 16th, giving destination fans an opportunity to check out the new GWARbar! And tell your mom we say what’s up.

EYEHATEGOD Set To Scathe The Western US On Mini-Tour Surrounding Psycho California

Having barely unpacked their dirty laundry following their riotous, nearly month-long Staggering Backwards European Tour, EYEHATEGOD is already gearing up for another excursion, as they prepare to blaze through the western edges of the US next week surrounding their headlining performance at Psycho California. Set to storm the three-day event, the New Orleans bandits will attack the stage on the opening night of Psycho, this Friday, May 15th in Santa Ana alongside the likes of Atriarch, labelmates Author & Punisher, Old Man Gloom, Cough and more. Subsequent to the festival the crew will plow through Phoenix, Seattle and Fort Worth before crushing their New Orleans home turf for the close-out show on May 23rd.

5/15/2015 Psycho California – Santa Ana, CA
5/16/2015 Alice Cooper’stown – Phoenix, AZ
5/17/2015 Highline Bar – Seattle, WA
5/21/2015 Tiki Bar – Shreveport, LA
5/22/2015 Fort Worth Metal Fest – Fort Worth, TX
5/23/2015 Siberia – New Orleans, LA

Another EYEHATEGOD European excursion surrounding their set at Hellfest is on the horizon as well.

EYEHATEGOD continues to pummel the masses in support of their Housecore Records-released self-titled LP which inundated the masses in 2014, breaking the band’s decade-and-a-half gap since their prior full-length and marking the most successful release in the band’s twenty-five-year lineage. An exclamation mark on an already storied career, a statement of rebirth, catharsis, self-preservation and a sign of things to come, the album landed at #82 on the Billboard Current Album chart, #92 on the Top 200 chart, #26 on the Rock chart, #4 on the Hard Rock chart and #12 on the Indie chart upon its first week of release, solidifying the band as one of the most important extreme music acts going.

“… a Southern influenced, doomy, stoner metal mix of equal parts Black Sabbath, Motorhead, Trouble, Black Flag and the Melvins that many newer bands often emulate, but none can replicate.” – OC Weekly

“…the best material of their 25-year career.” – Exclaim

“…the record that EHG fans have been waiting for; a stomping and venomous set of eleven tracks that reignite the band’s amazing propensity for down-trodden, electric blues and with their late drummer LaCaze behind the kit.” – Noisey

“To say that this album is ‘a triumphant return,’ or ‘the album we’ve all been waiting for’ are elephantine understatements. This album holds its own against some of the best of their canon…” – Metal Insider

“…in terms of consistency and sheer ‘fuck yeah’-ness this is right up there in that first tier of must-have EYEHATEGOD platters. Welcome back, boys. You earned it.” – Metal Injection

CHILD BITE: Punk Metal/Noise Rock Misfits Issue Studio Update; Live Dates With Coliseum Announced

Detroit’s favorite punk metal/noise rock misfits, CHILD BITE, recently took a brief pause from their US live takeover to record their forthcoming new full-length at Philip H. Anselmo’s famed Nodferatu’s Lair.

Reports vocalist Shawn Knight from the Lair, “We’ve been having a blast in the studio with Philip Anselmo! Historically, CHILD BITE has tracked full-length LPs in two to four days, so it has been both strange and relieving to spend two full weeks at Nodferatu’s Lair. The thirteen songs we tracked sound incredible, ten of which will make up the album while the other three will be released independently. In our spare time, we also shot a music video for ‘Mongoloid Obsession’ off of the Strange Waste EP. Written and directed by the band, it’s a lo-if slab of Ed Wood-meets-John Waters bafoonery. Look for that sucker any day now!”

The band’s forthcoming long player will be unleashed via Anselmo’s Housecore Records later this year. In the meantime, CHILD BITE will return to the road tonight to terrorize New Orleans alongside labelmates Author & Punisher and Gasmiasma before ravaging the ears of Jacksonville, Charlotte, Richmond, Canton and Cincinnati. From there, CHILD BITE will take a short breather before heading back out supporting Kentucky’s Coliseum for a nine-date run of East Coast demolitions.

5/11/2015 The Blue Nile – New Orleans, LA
5/12/2015 Burro Bar – Jacksonville, FL
5/13/2015 Tremont Music Hall – Charlotte, NC
5/14/2015 Strange Matter – Richmond, VA
5/15/2015 Buzzbin Art & Music – Canton, OH
5/16/2015 The Comet – Cincinnati, OH

w/ Coliseum:
6/05/2015 The New Vintage – Louisville, KY
6/06/2015 The End – Nashville, TN
6/07/2015 Drunken Unicorn – Atlanta, GA
6/09/2015 Shaka’s Live – Virginia Beach, VA
6/10/2015 Saint Vitus – Brooklyn, NY
6/11/2015 DC9 – Washington, DC
6/12/2015 Asbury Lanes – Asbury Park, NJ
6/13/2015 Kung Fu Necktie – Philadelphia, PA
6/15/2015 Middle East Upstairs – Boston, MA

Crowned “the soundtrack to the greatest psychotic slasher film that never was,” by American Aftermath, CHILD BITE’s Strange Waste EP was release via Housecore Records last Fall. Ugly, anxious and perilously habit-forming, the record continues to shock and awe ears of the willing with its deliciously bastardized hybrid of the Melvins, Dead Kennedys, Big Black and Faith No More. And don’t forget to peep the band’s video for “Ancestral Ooze.” Written and directed by ex-Dillinger Escape Plan guitarist Jeff Tuttle and featuring the Melvins’ Buzz Osborne, the clip is a tribute to the 1987 underground horror flick Street Trash.

“CHILD BITE’s music smashes into you, as fast as a freight train and just as heavy. The guitars are a blistering blur of nimble and gnarly tones, with the rhythm section’s raucous grooves propelling a raspy, yowling vocalist’s emphatically motor-mouthed lyrics…” – Detroit Free Press

“Knight’s voice is what I image one would get by throwing the vocals of Mike Patton, Jello Biafra, Joe McTighe, David Yow and Dave Brockie into a furnace to mix together and pour out as a flowing molten blend. Strange Waste is one of those rare albums that is ridiculously good from start to finish.” – The Examiner

GWAR to Destroy Literary World As Well As Actual World With New Book Release

Let There Be GWAR is a comprehensive behind-the-scenes history of the most outrageous shock rock band of all time. GWAR fans will cherish this oversized hardcover book chock full of fascinating first-hand accounts and rare, never-before-seen photographs. The book follows the band from the mid-1980s, known in GWAR lore as the “Dim Time,” when the group came together at a derelict dairy building in Richmond, Virginia, through the 1990s and 2000s, when the band spread across the face of the planet like a plague. This book is a record and testament to all that is GWAR, the band whoredefined the meaning of performance in rock music with their outlandish costumes and intense theatrical performances. A GWAR show is more than a rock concert; it is an immersive experience, featuring hilarious storylines, absurd live gore effects, and hundreds of gallons of blood and other fluids sprayed on an eager audience. Let There Be GWAR takes you backstage at these performances, a tour of the GWAR kingdom in photos, band posters, ephemera, production sketches and interviews, that chronicle the band’s albums, comics and videos in a blood-stained hardbound tome. Bohabs the world over, will delight in the wretched world of GWAR through the pages of this, the most monstrous book since The Necronomicon.

The hardcover book is over 350 pages, with a lenticular cover, and features 30 years of GWAR and Slave-Pit Inc. the production company behind the band.

The book was compiled by Bob Gorman and Roger Gastman

Gorman began working with Slave Pit and GWAR in 1988. Today he serves as secretary, shop foreman, performer and visual artist for Slave-Pit. He began GWARchiving GWAR and Slave-Pit history in 1997, and this book is the result of that effort.

Gastman, the self-proclaimed “curator of culture” was the brains behind infamous “While You Were Sleeping” and “Swindle” magazines, has packaged over 3 dozen books for small publishers, curated gallery shows MoCA, the Corcoran, and countless other and has produced or worked on several documentaries concerning Graffiti or subculture in general.

For you Ultimate Bohabs, there will be a limited number (150) books hand signed by the members of GWAR. These copies cost $100 and can be pre-ordered. They are expected to ship late August/early September.

ANAAL NATHRAKH To Kick Off North American Tour With Labelmates Secrets Of The Sky

UK-based extreme metal terrorizers, ANAAL NATHRAKH, will kick off their long-awaited North American live infiltration next week! Commencing this Monday in Sacramento, California guitarist/bassist/programmer Mick Kenney and vocalist David Hunt AKA V.I.T.R.I.O.L., with live recruits — drummer Steve Powell (ex-Detrimentum, ex-Theoktony), guitarist Jay Walford (Vicious Bastard, ex-Malevolent Creation live guitarist) and bassist Dunc Wilkins (Hordes, Fukpig) – will wage their sadistic sounds upon a dozen metropolises, with their final massacre to take place at this year’s Maryland Deathfest on May 24th in Baltimore. The band will be joined by special guests Incite and atmospheric, doom-touting labelmates, SECRETS OF THE SKY.

ANAAL NATHRAKH w/ Incite, Secrets Of The Sky:
5/11/2015 Starlite – Sacramento, CA
5/12/2015 Complex – Los Angeles, CA
5/13/2015 Backstage Bar – Las Vegas, NV
5/14/2015 Club X – Salt Lake City, UT
5/15/2015 Black Sheep – Colorado Springs, CO
5/16/2015 Riot Room – Kansas City, MO
5/17/2015 Live Wire Lounge – Chicago, IL
5/18/2015 Empire Concert Club – Akron, OH
5/19/2015 Hard Luck Bar – Toronto, ON
5/20/2015 Foufounes – Montreal, QC
5/21/2015 St. Vitus – Brooklyn, NY
5/22/2015 Championship’s – Trenton, NJ
5/24/2015 Maryland Deathfest – Baltimore, MD

ANAAL NATHRAKH will be touring in support of their eighth studio effort, Desideratum, released via Metal Blade Records last Fall. Named, “one of the most utterly fearsome and inventive outfits currently operating in the modern extreme metal scene,” by Decibel Magazine, “impossibly abrasive and brutal,” by MetalSucks, and applauded by Metal Injection for consistently offering up, “their own special breed of terrifying, mixing up grindcore speediness with giant choruses and riffs that are the audible equivalent of total nuclear annihilation,” ANAAL NATHRAKH’s quaking tones of terror are at once petrifying and inexplicably inviting, the duo’s maniacal musical dexterity, ingenuity and breadth, married with an intensely cynical intelligence is virtually unmatched in the metal world.

SECRETS OF THE SKY will be teasing songs from their forthcoming full-length, Pathway. Engineered, mixed, mastered and co-produced by Juan Urteaga (Machine Head, Testament, Sadus etc.) of Trident Studios with SECRETS OF THE SKY, Pathway is the gargantuan, thirteen-track follow-up to 2013’s critically-lauded To Sail Black Waters long player. Dark, ominous, fluid and engrossing, Pathway finds SECRETS OF THE SKY at their most poignant. In a near perfect 9/10 review, Dead Rhetoric rightfully crowns the record, “an emotionally draining journey… the type of album that you can just close your eyes and visualize your own tale, even as some parts seem to prop up only after repeated listens,” further championing Pathway for having, “all of the inner workings of a great and resonating album,” while Metal Injection christened first single, “Three Swords” alone a “progressive metal masterpiece.”

MARUTA: Miami Grind Mercenaries Deploy “Hope Smasher” Video

The latest dose of enforced persuasion in the propaganda campaign surrounding MARUTA’s incoming Remain Dystopian LP has been put on display in the form of a brutally brainwashing visual accompaniment to the band’s “Hope Smasher” track, delivered by the puppet masters at Noisey. While the auditory delivery of the Miami grind mercenaries is already over-the-top with blistering speed and seething dissonant aggression, see what happens when these measures are deployed in the visual form with seizure-inducing effects set to the track’s rabid pace. Offers the write-up accompanying the video, “…’Hope Smasher’ is a full on cavalcade of grind blasts, groove-metal breaks, and all out pandemonium. MARUTA’s video for the song is similarly venomous, combining footage of the band performing with video freakouts, riot footage, dumpster diving, landfills, and Chernobyl. Get ready to do your windmill headbangs, this fucker rips.”

Named after a special project during World War II in which the Imperial Japanese Army used human beings for torturous scientific experiments, the newest phase in MARUTA’s modus operandi comes in the form of their fourth LP, and first for Relapse, with Remain Dystopian. Delivering seventeen demanding and damaging tracks in under twenty-eight minutes, the album is made all the more dangerous with the assistance of contracted outside henchmen for the multiple-studio recording of the album — including drums with Pig Destroyer’s Scott Hull and vocals with Torche’s Jonathan Nuñez — with additional torment tactics provided by Pig Destroyer’s J.R. Hayes, Agoraphobic Nosebleed’s Jay Randall, and Tomas Lindberg of At The Gates.

Australian technical death masters PSYCROPTIC are coming to North America!

North America! Get ready for a “rapid-riffing adventure” (MetalSucks) as Australian technical death metal masters PSYCROPTIC make their way Stateside to headline the Metal Injection-sponsored “Bloodletting North America” tour this summer. Dates for the tour — which also features Arkaik, Ovid’s Withering and The Kennedy Veil — will be announced soon, but for now, spread the news to your friends and share the above tour poster!

During their first North American tour since supporting Nile in 2010, PSYCROPTIC will blast tunes from their brand new self-titled album — which reached #59 on the Australian pop charts and is one of the best-reviewed metal records of the year to date — along with favorites from their five previous releases over the past 10 years. The new album, produced, engineered and mixed by guitarist Joe Haley while being mastered by Alan Douches (Converge, Baroness), features nine tracks of “biting lyrics and crushing guitar work” that Heavy Blog is Heavy hails as the band’s magnum opus with “some of the catchiest guitar licks imaginable.” Prior to their venture to the States, PSYCROPTIC will travel to Japan for two headlining gigs before returning to Australia to join The Black Dahlia Murder on tour throughout June. Dates can be found below.

6/7 Osaka, JP – Nanba Rockets
6/8 Tokyo, JP – Duo Music Exchange
6/19 Adelaide, AU – Fowlers #
6/20 Melbourne, AU – Northcote Social Club #
6/21 Melbourne, AU – Northcote Social Club # (All Ages, Afternoon Show)
6/21 Melbourne, AU – Northcote Social Club # (18+ Only, Evening Show)
6/25 Newcastle, AU – The Cambridge #
6/26 Canberra, AU – The Basement #
6/27 Sydney, AU – The Factory #
# with The Black Dahlia Murder & Colossvs

GRUESOME: Death-Loving Collective Untethers Slayer Cover Via Metal Injection

The cast of GRUESOME, the Schuldiner-hailing collective featuring members of Exhumed, Possessed, Malevolent Creation and Derketa, today untethers a very special cover of Slayer’s “Black Magic.” The band’s latest reconfiguration of the old-school appears on the deluxe digital edition of the band’s Savage Land full-length.

“We chose our cover tunes the same way we tried to write the album,” relays guitarist/vocalist Matt Harvey. “We just did what Chuck [Schuldiner] would have done. Death was never a band particularly known for their cover song repertoire, but they did occasionally close their set with a rendition of ‘Black Magic’ and it’s a cover that dates as far back as an old 1984 Death/Mantas rehearsal, so we felt it would be appropriate. We were considering ‘The Exorcist’ by Possessed, since Death started recording a cover of it during Individual Thought Patterns, but since [GRUESOME guitarist] Dan [Gonzalez] is in Possessed, it was a bit weird. Again, we tried to approach the song as Death doing a Slayer cover, so… hopefully we came close to the mark.”

Raise your horns to GRUESOME’s take on Slayer’s “Black Magic”;

GRUESOME pays homage to death metal’s most celebrated founding American acts, Death. As such, their debut full-length, Savage Land, released last month Relapse Records, is an addictively punishing exhibition of late-’80s/early-’90s Florida-styled death metal that keeps the true sound and spirit of Chuck Schuldiner and Death alive and well.

GRUESOME was borne out of guitarist/vocalist Matt Harvey (Exhumed) and drummer Gus Rios’ (Malevolent Creation) mutual involvement with the Death To All tours. After discarding the idea of putting together another incarnation of DTA to focus exclusively on Death’s first two albums, Harvey half-jokingly suggested writing their own songs in that vein. The idea gained traction, and the band had five songs written. Rios later recruited Possessed guitarist Daniel Gonzalez and Derketa bassist Robin Mazen to record the material in Florida. Savage Land was tracked by Rios and Gonzalez at Riversound Studios in Fort Lauderdale, Florida, mixed by Jarrett Pritchard at Mana Studios in St. Petersburg, Florida, and features a guest guitar solo on “Closed Casket” by James Murphy as well as cover art by legendary illustrator Ed Repka (Death, Megadeth, Massacre, Athiest et el).

WARBEAST: Texas Thrash Behemoths Prepare For Live Takeovers; Band Welcomes Two New Recruits

Texas thrash behemoths, WARBEAST, are readying for a long-anticipated live takeover with a slew of one-off shows through their homestate and beyond throughout the Spring and Summer months. The festivities commence this Friday in San Antonio at Fitzgerald’s. The following evening, the band will bring their sonic devastation to Welcome To Hell Fest 2015 in Houston alongside Deadhorse, Poor Dumb Bastards and more. Additional WARBEAST live incursions include an appearance at the Ft. Worth Metal Fest in Ft. Worth on Memorial Day weekend, with Eyehategod and Goatwhore, One Fest 2015 in Dallas, with Mobile Deathcamp and Devourment and Full Terror Assault Open Air Fest in Cave-In-Rock, with Fear Factory, Eyehategod and M.O.D with future onstage infiltrations being deliberated.

The latest bout of live mayhem finds WARBEAST with an updated lineup featuring newest recruits, second guitarist Drew Shoup and bassist Lyric Ferchaud (stepson of vocalist Bruce Corbitt), two young, thirsty Lonestar thrash heads and longtime WARBEAST devotees. Comments Corbitt, “We are back with a new lineup and we’re ready to hit the stage again doing what we do best, that is to kick some ass Texas thrash style! We are also busy working on some new songs and talking about entering the studio sometime in August to record this deadly new material. I’m anxious to start this next chapter of WARBEAST. It will be memorable, I can guarantee everyone that much!”

5/08/2015 Fitzgerald’s – San Antonio, TX
5/09/2015 Fitzgerald’s – Houston, TX @ Welcome To Hell Fest 2015 w/ Deadhorse, Poor Dumb Bastards, more…
5/15/2015 Blue Max – Midland, TX
5/22/2015 The Rail Club – Ft. Worth, TX @ Ft. Worth Metal Fest w/ Eyehategod, Goatwhore
6/05/2015 Hangar 21 – Shreveport, LA
6/12/2015 Gas Monkey Bar & Grill – Dallas, TX
6/26/2015 Dirty Dog Bar – Austin, TX
8/01/2015 Three Links – Dallas, TX @ One Fest 2015 w/ Mobile Deathcamp, Devourment
8/15/2015 The Conservatory – Oklahoma City, OK
9/11/2015 Full Terror Assault Open Air Fest – Cave-In-Rock, IL w/ Fear Factory, Terrorizer, Eyehategod, M.O.D.

WARBEAST was originally forged in the Fall of 2006 under the name Texas Metal Alliance. In April of 2009 the band officially changed their name to WARBEAST and united with Philip H. Anselmo’s Housecore Records. WARBEAST’s roots are firmly entrenched in the legendary ’80s Texas underground metal scene. Vocalist Bruce Corbitt was the voice of speed metal splatter kings Rigor Mortis, who achieved major label success on Capitol Records in 1988. Guitarist Scott Shelby was part of the riff machine behind Gammacide, one of Texas’ most furious thrash exports while drummer Joey Gonzalez now also provides blastbeats and mayhem for Philip H. Anselmo & The Illegals. WARBEAST’s live shows prove equally impressive having already massacred crowds alongside the likes of Down, Crowbar, Eyehategod, Arson Anthem, Philip H. Anselmo & The Illegals, haarp, Child Bite, Hymns, Author & Punisher, Gwar, Goatwhore, Destruction, Danzig, Samhain, Goblin, Municipal Waste, Corrosion Of Conformity, Pig Destroyer and countless others.

ENSIFERUM Kick Off North American Tour

Forged in 1995 as a trio by guitarist/vocalist Markus Toivonen, and presently featuring current and former members of October Falls, Rapture, Norther, Barathrum and Sinergy, ENSIFERUM has been flying the flag of epic, folk-infused death metal high and proud for two decades. A Latin word translating to “sword bearer,” ENSIFERUM’s valiant tale begins humbly with three meticulously composed demos that raised the collective eyebrows of the extreme metal underground with their sharp and dexterous fusion of Bathory-ian darkness, Amorphis-styled melody and poignant accounts of ancient sagas and warrior quests. Released in 1999, it was third demo, Hero In A Dream, which included the band’s first-ever integration of female vocals, that reaped the praise and support of Finland’s Spinefarm Records, where the band would remain for five conquering studio offerings.

ENSIFERUM recorded their self-titled debut in November of 2000 at Sundi-Coop Studios in Savonlinna with Tuomo Valtonen (Rapture, Nattvindens Gråt, Darkwoods My Brotherhood). Released during the new millennium’s emerging Viking metal movement, the album featured such guest musicians as Trollhorn (keyboards), Marita Toivonen (kantele) and Johanna Vakkuri (guest female vocals who first appeared on the Hero In A Dream demo). Christened, “an excellent platter of Viking metal,” by Sputnik Music, furthering that “The Finns put forth an excellent effort, one that combines heavy, yet melodic riffing, impressive, folky interludes, and fun sing/growl-along atmospheres,” the record’s methodic, yet organically-executed synthesis of Viking, folk and power metal adorned in fantastical themes of Scandanavian lore sans the more kitschy humppa trappings of many of their sword-wielding peers, earned ENSIFERUM the mass reverence of fans on European shores and beyond.

Second full-length, Iron, found ENSIFERUM holed upin Copenhagen’s Sweet Silence Studios. There in Denmark, during the Fall of 2003, the band’s second full-length was captured by the gifted hands of producer Flemming Rasmussen, notorious for his work on such groundbreaking recordings as Metallica’s Master Of Puppets and Ride The Lightning. For the next decade, ENSIFERUM would gallop their way further into the hearts of metallers of all walks with their epic hymns and grandiose, cinematic live performances. Honing their creative skills both compositionally and thematically with each passing effort, the band’s unification of technically adept metallic guitar sweeps with the more traditional sounds of their homeland a la Finnish kantele, bagpipes, nyckelharpa and bodhrans, and the gentle balance of vocalist/guitarist Petri Lindroos warring growls with Toivonen’s and bassist/vocalist Sami Hinkka’s harmonized choruses, proved continually and deliberately infectious.

By 2013, ENSIFERUM — Toivonen, Hinkka and Lindroos alongside drummer Janne Parviainen and keyboardist/vocalist Emmi Silvennoinen ? had become an international folk metal sensation having spread their valiant battle anthems to the stages of some of Europe’s most prestigious metal festivals as well as lengthy live pillagings through North America, Australia, South Africa, China, South- and Central America. That year, the collective joined the legendary ranks of heavy metal powerhouse, Metal Blade Records, for the release of their sixth studio album.

Titled One Man Army, the primarily analog-recorded long player was tracked between September and November of 2014 with award-winning producer Anssi Kippo (Children Of Bodom, Impaled Nazarene, Entwine etc.) at Astia-Studios in Lappeenranta, Finland and boasts eleven heroic victory psalms.

“The composing process was slow as always,” elaborates Hinkka of the One Man Army birthing process. “We twist and turn every note, chord and part upside down so that we can be sure that the result is the best possible. We cut down the actual amount of tracks on the record and really arranged the instruments more wisely. The recording process was equally long and hard,” he continues, “but rewarding and full of incredible moments. Instruments were actually played and left as they were instead of creating tracks from hundreds of different takes, moving them to the grid and modifying things. Of course computers were used but overall we made everything as analog as possible. Listeners can experience a better sound and natural groove, something that we think most metal albums lack these days. Overall, the album sounds much more like a band playing live rather than ‘midi-metal.’ I think we’ve learned from previous sessions what we like,” he continues, “and on this album I think we finally reached the level songwriting and sound wise that we have been reaching for on our previous albums. We are extremely proud of each second of this album.”

Commended by Outburn Magazine for songs that are consistently “epic” in scope with a “reliance on catchy melodies,” ENSIFERUM’s crushing One Man Army serves as the follow-up to 2012’s critically-lauded Unsung Heroes full-length and comes shrouded in the stunningly detailed, mythological cover craftings of renowned illustrator Gyula Havancsák (Annihilator, Tyr, Elvenking, Stratovarius etc).

“On the new album, we took many things musically to the next level so we decided also to try something new graphics-wise,” relays Hinkka. “Gyula Havancsák did a phenomenal job! For the first time it was really nice to be more involved with designing the cover and all details. Our humble gratitude to Gyula for all the patience and really amazing results. We couldn’t be more satisfied!”

As a precursor to the release, ENSIFERUM unleashed the special Suomi Warmetal EP for public consumption in December 2014. A four-track platter of bonus cover tunes featuring among them the band’s rendition of Barathrum’s “Warmetal,” initually unveiled as the covermount CD of issue #94 of Germany’s long-running Legacy Magazine. ENSIFERUM’s One Man Army was released via Metal Blade Records worldwide on February 24th, 2015 with widespread touring to be announced throughout the months to follow.

ENSIFERUM will return to North America this Spring on a co-headlining tour with country-mates, Korpiklaani. Scheduled to commence on May 6th in Los Angeles, the band will level nearly two dozen cities with the trek coming to a close on May 29th in New York City. Additional support will be provided by Trollfest.

ENSIFERUM w/ Korpiklaani, Trollfest:
5/06/2015 House of Blues ? Los Angeles, CA
5/07/2015 Slim?s ? San Francisco, CA
5/08/2015 Hawthorne Theater ? Portland, OR
5/09/2015 El Corazon ? Seattle, WA
5/10/2015 Rickshaw Theatre Vancouver, BC
5/12/2015 Republik ? Calgary, AB
5/13/2015 Union Hall ? Edmonton, AB
5/15/2015 Summit Music Hall ? Denver, CO
5/16/2015 Bourbon Theater ? Lincoln, NE
5/17/2015 Mill City Nights ? Minneapolis, MN
5/18/2015 Bottom Lounge ? Chicago, IL
5/19/2015 Agora Theater ? Cleveland, OH
5/20/2015 Opera House ? Toronto, ON
5/21/2015 Mavericks ? Ottawa, ON
5/22/2015 Club Soda ? Montreal, QC
5/23/2015 Imperial de Quebec ? Quebec City, QC
5/24/2015 Brighton Music Hall ? Boston, MA
5/26/2015 Mr. Small?s Theater ? Pittsburgh, PA
5/27/2015 Baltimore Soundstage ? Baltimore, MD
5/28/2015 Theatre of Living Arts ? Philadelphia, PA
5/29/2015 Irving Plaza ? New York, NY
2015 Summer Festivals:
8/13/2015 Rockstadt Extremefest ? Rasnov, DE
6/19-21/2015 Hellfest ? Clisson, FR
7/30-8/1/2015 Wacken Open Air ? Wacken, DE
8/06-08/2015 Party San Open Air ? Schlotheim, DE
8/08/2015 IntoThe Grave Festival ? Leeuwarden, NL
8/09/2015 Bloodstock Open Air ? Walton-On-Trent, GB
8/13-15/2015 Summer Breeze ? Dinkelsbühl, DE

?Finland?s ENSIFERUM have long traded in their designation as a ?folk metal? group, but on the band?s sixth studio album the metal side of that label is decidedly dominant. And it?s epic metal at that: ?One Man Army? blasts forth with symphonic guitar orchestrations, double-time drum gallops, quick-changing dynamics and operatic vocal chorales that would make 19th century homeboys Pacius and Sibelius proud.? ? Revolver

?ENSIFERUM have produced their most polished album to date; one that bulges with bombast and rages with frostbitten grit? these northern sword-wielders are close to finding the perfect recipe for taking folk into the mainstream of metal ? all without losing a shred of authenticity.? ? Metal Hammer

??warlike and fiery?a perfect example of the band?s standout sound: it?s definitely a genre piece, but it?s the best of its kind.? ? MetalSucks

?One Man Army is ENSIFERUM at their finest. The three years between releases worked to the band?s benefit as their execution and adventurous songwriting finds them with a renewed passion and energy.? ?

??Like a powerful drink, after twenty years, ENSIFERUM keeps the strength intact and adds a bit of a sweet scent in this new release.? ? Against Magazine

?ENSIFERUM has become one of folk metal?s finest acts?ENSIFERUM?s music awakens one?s inner warrior? it?s a pity fighting to the death with swords and battle axes is illegal nowadays.? ? Loudwire

DEICIDE and ENTOMBED A.D. to kick off the “Metal Alliance Tour” this month

Floridian death metal masters DEICIDE will be back on the road again this month, this time as headliners of the “Metal Alliance Tour”! Joining them on the run is Swedish death metal legends ENTOMBED A.D., along with HATE ETERNAL, BLACK CROWN INITIATE, LORNA SHORE, and SVART CROWN – making this one bill not to miss!

DEICIDE’s Glen Benton (bass/vocals) comments: “It’s with great pleasure to announce our involvement in this year’s Metal Alliance Tour 2015. We look forward to bringing our style of extreme…satanic death metal to all who attend and seeing old friends and making new ones as we travel the highways and byways of this great country of ours…As always we can’t wait to get out there and do what we do best…Crush…HAIL!”

ENTOMBED A.D.’s L-G Petrov (vocals) adds: “It’s going to be really good to tour the States again after a long absence overseas– and doing it with The Metal Alliance Tour is a great comeback! We are looking forward to sharing the stage with all the bands on the bill. Expect total headbang!!!”

See below for all upcoming dates!

May 26 – Montreal, QC @ Theatre Corona
May 28 – Columbus, OH @ Alrosa Villa
May 30 – Indianapolis, IN @ Emerson Theater
May 31 – Chicago, IL @ Metro
June 1 – St. Paul, MN @ Amsterdam
June 2 – Kansas City, MO @ Riot Room*
Des Moines, IA @ Vaudeville Mews**
June 3 – Denver, CO @ Summit Music Hall
June 5 – Spokane, WA @ The Pin!
June 6 – Seattle, WA @ Studio Seven
June 7 – Portland, OR @ Tonic Lounge
June 8 – Oakland, CA @ Metro Opera House
June 9 – Los Angeles, CA @ The Regent Theater
June 11 – Las Vegas, NV @ LVCS
June 12 – Mesa, AZ @ Club Red
June 13 – El Paso, TX @ Mesa Music Hall
June 14 – Lubbock, TX @ Depot “O” Bar Live*
Houston, TX @ TBC**
June 15 – Austin, TX @ Empire Garage
June 16 – Dallas, TX @ Gas Monkey Live!
June 18 – New York, NY @ Gramercy Theater
June 19 – Baltimore, MD @ Ottobar
June 20 – Charlotte, NC @ Tremont Music Hall
June 21 – Atlanta, GA @ The Earl**
June 22 – Tampa, FL @ The Orpheum**


From his anti-god lyrics and Satanist labeling, Glen Benton has managed to lead DEICIDE through 11 albums over the past 25 years, and they have been a staple death metal band from the early years of the genre. Their latest album, In The Minds Of Evil, came out in late 2013 via Century Media to critical acclaim.

ENTOMBED A.D. will be touring in support of their recently released album, Back To The Front. From the morbid, pissed-off lyrics over detuned, massive riffs, to the inimitable brick-heavy groove, to L-G Petrov’s titanic roar, Back To The Front promises to win over new and old fans alike.

1349 announce new North American tour with NECROPHAGIA

Norwegian black metal tyrants 1349 have announced the second leg of the North American “Chaos Raids” tour. The “Chaos Raids” tour kicks off on May 30 and includes cult death metal pioneers NECROPHAGIA and VATTNET VISKAR. A full list of confirmed tour dates can be found below.

1349 is touring in support of their new album, ‘Massive Cauldron of Chaos’. The album, which has been called a “another career-defining release which will surely confirm their place among black metal’s more promising groups.” (Sputnik Music), and a “musical, versatile effort that should earn 1349 a high degree of respect going forward”;

NECROPHAGIA is touring in support of their new album, ‘WhiteWorm Cathedral. The album, which has been called “Simple, sick and heavy” (Metal Injection), and “career-defining, solid, consistent work which brings together thirteen tracks, drawn from one source of inspiration yet each performed to stand out among one another.”;

1349 and NECROPHAGIA tour dates:
May 30 Baltimore, MD @ Ottobar
May 31 Brooklyn, NY @ St. Vitus
June 01 Montreal, QC @ Foufounes Electriques
June 02 Toronto, ON @ Mod Club
June 03 Rochester, NY @ Montage Music Hall
June 04 Chicago, IL @ Cobra Lounge
June 05 St. Paul, MN @ Amsterdam Bar
June 06 Des Moines, IA @ Val Air Ballroom
June 09 Boise, ID @ The Crazy Horse
June 10 Seattle, WA @ Club SUR
June 11 Portland, OR @ Tonic Lounge
June 12 Oakland, CA @ Metro Opera House
June 13 San Diego, CA @ Brick by Brick
June 14 Phoenix, AZ @ Joe’s Grotto
June 15 El Paso, TX @ Mesa Music Hall
June 16 San Antonio, TX @ Korova
June 18 New Orleans, LA @ Siberia
June 19 Orlando, FL @ The Haven

Page 20 of 1,382« First...10...1819202122...304050...Last »