Sumerian Records Presents: The Show of the Summer. Set to take place
on June 10 at KC's in Fredericksburg, VA and June 11 at Stone Pony in
Asbury Park, NJ the line-up includes the following artists:
The Dillinger Escape Plan
The Number Twelve Looks Like You
Haste the Day
Horse the Band
From a Second Story Window
Full Blown Chaos
Black My Heart
Job For a Cowboy
Flee the Seen
+ lots of local talent on Second Stages.
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BENEDICTUM is a relatively new band that is going places in a hurry. Their debut record Uncreation is a powerful affair, impressive enough to secure them a spot on several high-profile European festivals this summer. antiMUSIC’s Morley Seaver spoke with the band’s vocalist, Veronica Freeman, recently to find out about the history of their band and how it was working with Jeff Pilson and some DIO alumni. Here’s a sample:
antiMusic: Hi Veronica. The record is amazing. It’s exactly the kind of metal I like — heavy but not sludgy and you can actually make out the vocals. And speaking of that, you have a fantastic voice.
Veronica Freeman: Well gee. Can I put this on tape? This sounds like a great way to start this conversation. Thank you very much. I really appreciate it.
antiMusic: It sounds like you don’t need a PA most of the time.
Veronica Freeman: Yeah I know. Some people have complained about that. (laughs) We did a backyard party one time and the p.a went out and I said well screw it, just put the mike down and started singing and there wasn’t a problem! (laughs)
antiMusic: How did the involvement of Craig Goldy and Jimmy Bain happen?
Veronica Freeman: With Craig, he’d been a friend of mine for a number of years. I would say he’s very responsible for pushing me to continue singing and doing this stuff. He’s also from San Diego just like me and when he was visiting family like at the end of 2004 somewhere around there he was listening to some of our rehearsal tape, he was like, “Wow this is finally the line-up, I really want to help you.” So he took some of his…we threw something together real quick and he took it to some of the people he knew. And they said this shows some promise, but it needs a little better production so that’s when he introduced us to Jeff Pilson. I love this. I call it a fortuitous series of events. From that point, Jeff said yes, and then Jeff just before we were wrapping things up, he said you know what if you need to do this bonus track we think we can contact Jimmy. I just got finished working with him on another project. So that’s how Jimmy came about. So it’s like one thing led to another. It’s wonderful …I’m very, very grateful.
antiMusic: You’ve already touched on it a bit but how was it working with Jeff Pilson and what affect did he have on your sound?
Veronica Freeman: He had an effect on like on everything. Working with Jeff, for me personally was a big turning point for me. There were a lot of things that I did vocally that I hadn’t done before, that I did on this album. Like a lot of the high pitch…I never thought I could do that, on the high pitch screams and everything. So now it’s like it’s become part of my repertoire. But before that you never would have heard anything like that out of me. So absolutely. He is such an intense person to work with. We call him the sixth member of Benedictum. We consider him a friend as well as to watch him work is incredible. He gets so intense that I think his house could be on fire and he wouldn’t know. You could actually see him firing off the ideas, firing off in his head as he getting an idea for something. He’s just great to work with. He’s not easy to work with as far as…he’ll definitely take you to another level and he expects it to be well done and if it’s not he’ll let you know (laughs) but not in a bad way, you know. It’s like he’ll storm out and like “That’s not it, you can do better.” I’ve learned a lot. We all did, I think we became better musicians all the way around after working with him.
Read the whole interview here.
FROM GRAVES OF VALOR, featuring former members of THROUGH THE EYES OF TEH DEAD have recently posted some new material online at their official MySpace page – http://www.myspace.com/fromgravesofvalor.
In the wake of a brand new album, Edmonton’s own RED TIDE have agreed to be a part of the Southern Alberta Hardcore & Metal Festival. RED TIDE will be supporting their new album, Para Bellum, which is available now through Witching Black Records.
Also recently confirmed for the fest are Calgary Hardcore band SCREAMS OF SILENCE and SHEGALLA.
Also currently confirmed:
Official website for the festival up now – www.sahcmf.com
DROWNING POOL, following the likes of ALTER BRIDGE, have parted ways
with their label, Wind-Up Records. Despite this move, ex-SOiL vocalist Ryan
McCombs and co. will be touring next month with SILENT CIVILIAN,
TWIN METHOD, and STEREOSIDE:
June 13 - Springfield, MO @ Remmington's
June 14 - Ft. Wayne, IN @ Pierre's
June 15 - Chicago, IL @ House Of Blues
June 16 - South Bend, IN @ Club Fever
June 18 - Dallas, TX @ Pizza Hut Park
June 28 - Charlotte, NC @ Amos
June 29 - Jacksonville, NC @ Planet Rock
June 30 - Myrtle Beach, SC @ House Of Blues
July 1 - Fayetteville, NC @ Jester's
July 3 - Springfield, VA @ Jaxx
July 6 - Boston, MA @ Goodtime Emporium
July 7 - Bedford, NH @ Mark's Showplace
July 8 - Hartford, CT @ Webster Theatre
July 13 - Baltimore, MD @ Club Mate
July 15 - Flint, MI @ Machine Shop
In a recent MTV article, STRAPPING YOUNG LAD mainman Devin Townsend announced that he is, “…going to take a hiatus from making records for a while. In the past 10 years, I’ve put out 20 records.” That includes Strapping, the Devin Townsend Band and his own solo projects, like 2001’s Terria. “[It’s been] bang-bang-bang-bang. As soon as I finish one, I’m writing another, and when that one’s done, I’m writing another. I just don’t want to write records right now.
“The records I make, I’m there from the writing of the first note through the click tracks to the miking of the drums to the editing of everything to the production to the vocals to the artwork,” he continued. “And it’s been so many years of doing it. I won’t ever stop doing what I do, I just need a break so I can go sit on a beach somewhere and drink Corona after Corona and stumble back to a hotel.”
STRAPPING YOUNG LAD’s album “The New Black”, which features 13 cuts, is devastatingly brutal.
“With this record, we just set out to make a really good-sounding, riotous record to listen to, and we achieved that,” Townsend said. “It’s what it needed to be. Fans will like it. I mean, considering the amount of time we had to do it, I think we did a really good job.”
The band will shoot a video for the first track, “Wrong Side,” Sunday in Jersey City, New Jersey, with director David Brodsky (Diecast, God Forbid). The video’s concept is hard to describe just know that it involves three Devins (“Dreaming Devin,” “Devil Devin” and “Angel Devin”) who work against each other with ungodly results.
As for Ozzfest, Devin’s too exhausted to be excited.
“I don’t even know what the Ozzfest is all about. Everybody seems to be making a real big deal about it, and for me, it’s just the next gig we’re doing,” he said. “People talk about the Ozzfest and what it can do for your career, and I guess I’m just oblivious to it. … I’m in a weird position, because there’s all this rock and roll stuff [that goes on backstage at Ozzfest], and everyone’s really into putting their party pants on and getting liquored up and high. I just don’t fit in as well as a lot of people.”
You can read the full article here.
Prosthetic Records is proud to announce the addition of Montreal, Canada’s BENEATH THE MASSACRE to the label’s roster. Combining a heavy-handed technical death metal prowess, skillful guitar shredding, and a devastating and grinding guttural vocal delivery, BENEATH THE MASSACRE will release its Prosthetic debut in the fall of 2006. “We’re excited and can’t wait to start working with people at Prosthetic Records,” the band says. “The new partnership and the release of a new album means a lot to us.”
The forthcoming record will be the band’s full-length debut and the follow-up to 2005’s five-track debut EP, Evidence of Inequity, an album that has received high-praise from metal press and extreme metal fans alike. Tracking for the band’s new album has already begun with producer Yannick St-Amand (Despised Icon, Ion Dissonance) at Yan’s Room Studio, and is set to contain 10 tracks. Mixing will be handled by Pierre Rmillard (Cryptosy) at Wild Studio and mastering will be completed by Alan Douches (Shadows Fall, Unearth).
In anticipation of GWAR‘s very busy summer, the band have launched Slave Pit Television. That’s right kiddies, now you can enjoy the latest updates and behind-the-scenes insanity that only the freaks at Slave Pit Inc. can provide you with. “For years GWAR has attempted to get on television in any way possible, and now, thanks to the Internet, we can pretend that we have succeeded. Sure, it’s not really a T.V. show, but you can fix up your computer to look like one, and no one will be the wiser!” GWAR leader and frontman, Oderous Urungus commented.
Every week a new clip will go up–this week features a chunk of the new GWAR video “Bloodbath and Beyond,” and every week another hideous blob of GWAR propaganda will plop into your deserving lap. What better way to track the progress of GWAR in their mission to subject all of humanity to abject and utter slavery! So check it out here. Hail GWAR!
GUNS N’ ROSES have lined up the following U.K. tour dates for July:
July 18 – Sheffield, UK @ Hallam FM Arena
July 19 – Newcastle, UK @ Metro Radio Arena
July 21 – Glasgow, UK @ S.E.C.C.
July 23 – Manchester, UK @ Manchester Evening News Arena
July 25 – Birmingham, UK @ NEC Arena
July 27 – Nottingham, UK @ Nottingham Arena
July 30 – London, UK @ Wembley Arena
There is a new live performance of DEVILDRIVER available online for viewing at the Underground Video Television website. The video is for the track “Nothing’s Wrong” from DEVILDRIVER‘s debut self titled album. The footage was taken at Water Street Music Hall in Rochester, NY earlier this year when the band was on tour with IN FLAMES, TRIVIUM, and ZAO.
ALABAMA THUNDERPUSSY has announced the addition of vocalist Kyle Thomas (ex-EXHORDER, FLOODGATE) to its lineup.
Thomas states: “This band is stocked with amazing musicians and most importantly quality people. It’s great to be in the fold and an honor to be considered by such a great, hard working band as ALABAMA THUNDERPUSSY. Above all, a big thank you to goes out to Karrie Hill for contacting me so that this could all be possible.”
“Kyle is a world class singer with an impressive rsum that includes being a founding member of seminal New Orleans metal band EXHORDER and singing with other acts including FLOODGATE, PITTS VS PREPS and TROUBLE.” comments ATP drummer Bryan Cox. Cox continues; “With the singer situation resolved, we will be headed quickly toward hitting the studio and getting it [the new record] on tape. If you are at all familiar with Kyle’s work, then you know what he is going to bring to this ATP record. It will be very special and we feel honored and fortunate to be taking the next step forward as ALABAMA THUNDERPUSSY with him as a part of the team.”
Guitarist Erik Larson adds “We knew right away that Kyle was the man for the singer spot when we heard him singing on some of the new material. Personally, as an EXHORDER fan, I felt a bit star struck that this guy was singing on our music. It’s amazing. So we got him up to RVA for a visit / meet and greet / rehearse – ie: alcoholocaust ATP style. It went perfectly. Couldn’t have asked for a better dude to join the band. I’m f*cking stoked!”
ALABAMA THUNDERPUSSY has been writing for the new record since last July with the music for 14 songs already completed. The writing process will be rounded out with the addition of Thomas’s vocals for what will be their sixth full-length studio album. Expect to see ATP road-testing this new material soon.
THE DILLINGER ESCAPE PLAN‘s cover of “Jesus Christ Pose” by SOUNDGARDEN has been posted on their official MySpace page. The track comes off their iTunes exclusive EP entitled “Plagiarism, which will be released June 13th.
Jagermeister Summer of Sin Tour 2006 starring DOPE,
MANNTIS, MAKESHIFT ROMEO, BLEED THE SKY, A NEW REVOLUTION,
has launched a e-card at this location.
You can hear a new clip, 'Dream' from MAKESHIFT ROMEO and 'Rise' from
A NEW REVOLUTION as well as view all the complete tour dates.
CROSSFADE have announced an August 1 release date for their
yet-to-be-titled second album through Columbia/Sony Records. The first
single, 'Invinsible' will be impacting radio mid June and a natinoal
tour is slated for July. Their self-produced, self-titled debut album
went platinum in the US.
Return to the Pit has uploaded a ton of photos from the second day of this year’s Maryland Deathfest which took place yesterday (May 28th) at the Sonar in Baltimore, MD. Pictures of the following bands have been posted:
CATTLE DECAPITATION (125 pics)
DISFEAR (103 pics)
DISMEMBER (125 pics)
EMBALMER (87 pics)
MAGRUDERGRIND (48 pics)
MUCUPURULENT (32 pics)
NECROPHAGIST (76 pics)
PUNGENT STENCH (91 pics)
QUILLS (41 pics)
ROMPEPROP (71 pics)
SAYYADINA (46 pics)
SEVERE TORTURE (103 pics)
TOTAL FUCKING DESTRUCTION (35 pics)
UNHOLY GRAVE (96 pics)
YACOPSAE (41 pics)
You can check out those pictures here.
More dates have been revealed for VENOM‘s upcoming North American tour with DEVILDRIVER:
August 18 – Cleveland, OH @ Agora Theatre
August 20 – Chicago, IL @ House of Blues
August 22 – Denver, CO @ Ogden Theatre
August 24 – Tempe, AZ @ Marquee Theatre
You can check a new song by ZOMBIE RITUAL entitled “Zombies From Tokyo” here. The song is said to be about the band’s impending trip to the USA for the upcoming Goregon Massacre Fest.
In related news, the following post was originally posted on the Razorback Records Hog-Wild Howls blog, and we feel it’s important because Razorback is one of the best labels in the underground and deserve your support:
“Everybody should know by now that Razorback does not have an “official” distributor. What that means is, there’s nobody out there that gets our stuff in big stores like Best Buy, Tower, Sam Goody (um…are they even still around? I don’t know, I never go to shopping malls or record stores anymore), etc. 99% of the bigger distributors have absolutely no interest in the kind of metal that Razorback puts out. Our stuff is underground, unpopular, oldschool, and it doesn’t follow the rules or trends of today. (comic book-style artwork is out, photoshopped digital crap is IN.) Even most “independent” distributors have no interest in our stuff. Razorback is a very SMALL label with limited appeal. We’re a “specialty” label and we’ll always be just that. Some people either “get it”, or they don’t. (thankfully there ARE people who DO get it, thanks!)
We often get sleazy jerks looking to score a “license deal” with our CD’s, which is really just a total rip off. Basically, they want to make their own copies of our albums and profit while we get nothing in return. Whenever you hear the term “license deal”, 99% chance it’s a total scam/rip-off. It just doesn’t work. Film makers/companies get screwed over by that shit all the time, and with underground metal music it’s even more of a nightmare.
We’ve always relied on trading with other labels and other labels buying our stuff at a very cheap wholesale price. This, however, is becoming more and more difficult with each passing year. Many labels are going out of business, nobody wants to trade anymore, and getting wholesale orders is becoming almost impossible. The scene is simply flooded with too many CD’s and bands and there’s just not enough fans to support it anymore. It’s all about quantity, over quality. (by the way, thanks to all the labels and distros who DO still trade and order wholesale! It really does help keep whatever is left of the underground alive!)
Why am I bringing all of this up, you ask? Well, it’s simple. No distribution = no more Razorback Records.
No, we’re not going out of business. I’ll always find a way to do this label! Even if I have to go back to the days of putting out cassette tapes with photocopied covers! I’m discussing this because I need to let you know that it’s really important more than ever for you to buy our CD’s direct from us. It’s really the most effective way of helping to keep the label alive at this point.
We’ve had to stop planning new CD’s and picking up new bands because we simply can’t afford it anymore. It’s as simple as that.
Sorry for such a depressing topic, but I just felt this would be a good place to discuss this and to let you all know where we currently stand. People seem to really like our bands and releases and it’s really a great feeling to know that. On the other hand, there’s a dark side to all of this and things are not getting any better. The bigger labels/distributors simply don’t care if we live or die….and that’s why it’s up to YOU. If you want to see more albums in the future from FRIGHTMARE, GHOUL, SPLATTERHOUSE, etc…..it can only happen from your direct support. Otherwise…we’re FUCKED!
Thanks to everyone who does buy direct and orders our mailorder titles as well. It really is appreciated and we do everything we can to make sure the orders go out the next day as fast as possible, with still the cheapest prices possible!”
Oakland’s ALL SHALL PERISH have unveiled a new song entitled “Wage Slaves” from their upcoming album The Price of Existence at www.myspace.com/allshallperish. The band’s second album is set to be released Aug 8th in North America by Nuclear Blast Records and contains 11 new blistering tracks of extreme metal diversity.
The band comments: “This track is one of the more straight-forward brutal songs on the record and is sort of an ode to old school Pantera, but the whole album is packed with all kinds of songs from black metal to thrash to beat-down and even an instrumental! It’s truly an epic album.”
ALL SHALL PERISH are launching a mini tour next week and playing a much of the new album in preparation for the long summer tour with SUICIDE SILENCE, LIGHT THIS CITY, TOO PURE TO DIE, and NIGHTS LIKE THESE which hits almost every market in the US.
ALL SHALL PERISH‘s “Fuckin’ a Bloody Midget mini Tour!” dates:
June 1 – Fresno, CA @ The Belmont
June 2 – Hollywood, CA @ The Whisky
June 3 – Mexicali, MX @ LA Estacion Cantina
June 5 – Ceres, CA @ The Workshop
June 6 – Reno, NV @ The 14th Ward
The first edition of the XL MetAll Dressed Festival will be presented in Montreal and Quebec City and will feature bands coming from Europe, the United States and Canada. The line up includes:
June 2 – Montreal @ Club Soda
June 3 – Quebec City @ Campus Charlesbourg
*Quebec City only
DISSECTION‘s previously announced California show, which was supposed to take place on June 30th at the West Hollywood House of Blues, has been rescheduled for September 1st. There’s presently no word on if the band’s New York City date will be moved as well or when the new date would be.
Update: The New York City show will now take place on September 6th at the B.B. King Blues Club
In other news, DISSECTION mainman Jon Ndtveidt recently announced in an interview the band’s plans to disband after a few select performances:
“What we have in front of us now are a few extremely select concerts that will mark the end of DISSECTION, out of which the Dissection Midsummer Massacre in Sweden on the 24th of June will be the only European concert, as well as the last. We will also make our first and last concert in Israel, as well as two final concerts on the American continent.
I have reached the limitations of music as a tool for expressing what I want to express, for myself and the handful of others that I care about, and I will now move along to other realms of practice.
‘Reinkaos‘ has been our only focus for such a long period of time and all the work and fanatic dedication put into the band by each member has been directed into this album. With ‘Reinkaos‘ finally recorded and released I also realize that there is nothing left for me to do with DISSECTION. We have succeeded with our task to manifest, in essence, a truly Satanic record blessed by the dark gods and we have succeeded with our goal to manifest a truly Satanic band! My goal was to bring back DISSECTION with full force and to make it the Satanic unit I always wanted it to be and the tool for completing the personal black magical work that was started many years before. With ‘Reinkaos’ this has all been achieved and I’m very, very pleased with the result. It wouldn’t even be desirable for me to follow it up since everything that I ever wanted to express is in there. That’s why we now have decided that this is the time to move on and where DISSECTION no longer will be an active band. So it’s a great victory for me to move beyond this phase of personal becoming. With ‘Reinkaos‘ we have reached the ending chapter. DISSECTION‘s work is done and this is our legacy.”
Swedish melodic death metallers DARK TRANQUILLITY have posted the following update:
No updates for a while, but rest assured that we haven’t been resting on our laurels. We’re insanely busy with the songwriting for the next album, and it’s now decided that the recordings will start in October. More details about studios (yes, that’s in plural), working partners and so forth will follow as soon as everything is 100% confirmed.
As for the music itself, the material we’re working on covers the whole gamut from laid back acoustic sections to furious blastbeats, so you can all look forward to a diverse and challenging offering. Most songs are still in the embryonic stages, so it’ll be interesting to see how things develop.
Some media goodness to make the wait for the next magnum opus easier: A 15-minute video clip of our gig at the Fury Fest in France (June 25, 2005) has been uploaded to our MySpace page. As usual with these homemade recordings, the quality itsn’t stellar, but it gives a good enough representation of the show.
Also, we found an old version of “Away, Delight, Away” from an 8-track promo recording we did in our rehearsal studio back in the spring of 1994. This is an early incarnation of the song that differs slightly from the version that ended up on the “Of Chaos And Eternal Night” MCD. The promo itself also contained “Punish My Heaven” and “The Gallery”, and was sent out to a select few record labels and tape trading contacts.
Check the stuff out: www.myspace.com/dtofficial.
Return to the Pit has uploaded a ton of photos from the first day of this year’s Maryland Deathfest which took place yesterday (May 27th) at the Sonar in Baltimore, MD. Pictures of the following bands have been posted:
ALARUM (49 pics)
ANATA (65 pics)
BUTCHER ABC (73 pics)
CATHETER (50 pics)
CENOTAPH (59 pics)
CLITEATER (88 pics)
DEMILICH (74 pics)
ELECTRO QUARTERSTAFF (53 pics)
EMBRYONIC CRYPTOPATHIA (5 pics)
GORGASM (51 pics)
HAEMORRHAGE (103 pics)
MACHETAZO (83 pics)
MUNICIPAL WASTE (90 pics)
SANITYS DAWN (52 pics)
SKINLESS (115 pics)
VITAL REMAINS (153 pics)
You can check out those pictures here.
The first dates have been announced for VENOM‘s upcoming 7 Days of Hell North American tour with DEVILDRIVER:
August 20 – Chicago, IL @ House of Blues
August 22 – Denver, CO @ Ogden Theatre
Initial dates have been announced for 3 INCHES OF BLOOD‘s The Goatriders’ Tour, which will also feature EARLY MAN and BAD WIZARD:
July 6 – San Francisco, CA @ Slim’s
July 8 – San Diego, CA @ Soma
July 9 – West Hollywood, CA @ Whiskey A Go Go
July 10 – Corona, CA @ Showcase Theatre
July 12 – Albequerque, NM @ Launchpad
July 15 – Little Rock, AR @ Juanita’s
July 16 – Mobile, AL @ Cell Block
July 18 – Jacksonville, NC @ Planet Rock
July 19 – Springfield, VA @ Jaxx
July 23 – Hartford, CT @ Webster Theatre
July 25 – New York, NY @ Knitting Factory
July 27 – Manchester, NH @ Marks
July 29 – Flint, MI @ Machine Shop