COMING NEXT WEEK: New Titles From THE CLEARING PATH, DIABOLICUM + KHEMMIS – New promo materials available from Earsplit PR
THE CLEARING PATH
Watershed Between Earth And Firmament
11 July 2015
Italian blackened hardcore/metal outfit, THE CLEARING PATH, has completed its debut full-length album, Watershed Between Earth And Firmament, and is finalizing the details for its release this Summer.
Born from the ashes of ThySolace, THE CLEARING PATH?s sole creator, one Gabriele Gramaglia, took the black metal and hardcore influences of that act into drastically more conceptual directions, in a more ambitious delivery, thriving on the influence of abstract hardcore/punk acts in the vein of Converge, Traged and His Hero Is Gone, and atmospheric/experimental black metal, citing the likes of Blut Aus Nord, Enslaved, Deathspell and Omega. Fully written, executed, recorded and mixed by Gramaglia, the first recording from THE CLEARING PATH, Watershed Between Earth And Firmament is a concept album about spiritual renaissance inspired by the beauty of mountainous landscapes of the Italian Alps north of the creator?s homeland.
Conceived in reflection about one of the darkest periods in the artist?s life, Watershed Between Earth And Firmament stands as a turning point, in searching for the light to find the path back to normalcy. Metaphorically describing a trek from the slopes of a majestic mountain to its summit in which, after many efforts and obstacles, some semblance of solace is found, the groundwork for the album was inspired by the beauty of the landscapes through these times of travel and meditation. Mastered by Marco Gervasio and fitted with custom artwork painted by Luca Devinu/Blessend,Watershed Between Earth And Firmament is a dense, thirty-minute release sure to catch the attention of fans of Celeste, Castevet, Krallice, Eleven As In Adversaries and the like.
Watershed Between Earth And Firmament will see independent release on July 11th, at first digitally, with physical versions to follow.
Ia Pazuzu (The Abyss Of The Shadows)
7 July 2015
Following a fourteen-year slumber, cult Swedish industrial black metal misanthropes, DIABOLICUM, now featuring the diseased vocal conjurings of Shining?s Niklas Kvarforth, return with the tormented tones of third full-length, Ia Pazuzu (The Abyss Of The Shadows).
Initially spawed in 1994 by Sasrof and Thorne under the Imperial moniker, DIABOLICUM stand among the prime instigators of the industrial black metal scene. The collective?s first demo appeared under the title Mori Voluntaria. The tape was recorded in just two days at a mental hospital and included the session vocals of Blackblood (Tommy Dahlström now of Aeon). Following various personnel shifts, Imperial unleashed The Imperial Darkness demo with vocals and lead guitar handled by Thyrfing (Stefan Dhalberg) with third demo, De FÆrdÆmdas Legion, unveiled by Arte De Occulta shortly thereafter. By 1997, members of Imperial formed black metal collective, Helvete, together with Mysteriis and Kraath of Setherial. The project was put on hold when guitarist Sasrof took over bass responsibilities for Setherial.
Two years later, Imperial changed their name to DIABOLICUM. Nathzion (AKA Zeb Nilsson now of Aeon) joined the ranks as lead guitarist and DIABOLICUM?s debut, the annihilating The Grandeur Of Hell, dropped in 1999 via Napalm Records. In the summer of 2000, DIABOLICUM fled Napalm to explore new opportunities and forged a union with Italian imprint, Code666. Brandishing a flawless meld of Swedish black metal and industrial ambient noise, 2001?s resulting The Dark Blood Rising full-length is now considered a cult classic among the industrial black metal scene. In the years to follow, the band published a collection of early demos (The Killing Spree 1.5) and two split 7? EP ? one with Watain; the other with Angst ? before penning their third diabolic opus with new vocalist Niklas Kvarforth (Shining) and lead guitarist Likstrand. After several setbacks and delays, the band is finally ready to undrape Ia Pazuzu (The Abyss Of The Shadows). Spewing forth nine merciless tracks of sonic scorn, and featuring guest appearances by Malfeitor Fabban (Aborym) and Vargher (Naglfar, Bewitched, Ancient Wisdom), with cryptic artwork by Maxime Taccardi, Ia Pazuzu (The Abyss Of The Shadows) is anguished, devouring and destined to become a new milestone within the industrial black metal community.
Ia Pazuzu (The Abyss Of The Shadows) Track Listing:
1. Baxxar Ehl Uhza
2. The Void Of Astaroth
3. The Silent Spring
4. Genocide Bliss
5. Salvation Through Vengeance
6. The Abyss Of The Shadows
7. One Mans War
9. Ia Pazuzu
DIABOLICUM 2015 Lineup:
Niklas Kvarforth ? vocals
Sasrof ? guitars
Gorgorium ? bass
Likstrand ? guitar
Ia Pazuzu (The Abyss Of The Shadows) will be available in special digipack CD format as well as a limited edition, double gatefold LP and deluxe limited leather box on July 7th, 2015 via Code666.
“DIABOLICUM are known for their skill in integrating the savagery of Swedish black metal and the driving pulse of industrial music and ?Salvation Through Vengeance? displays that union in striking fashion, significantly augmented by Kvarforth?s crazed howls and roars (which hold nothing back) and Likstrand?s boiling guitar solo. The song erupts like a black metal cyclone dropping without warning from storm clouds overhead. A vocal sample then provides a bridge to a more industrialized, keyboard-driven segment, which is then overtaken by that wild, transfixing guitar solo as the song ramps up again into a whirlwind of knives and blood. It?s a terrorizing adrenaline trigger that leaves us salivating for the rest of the album.? — No Clean Singing on first single, “Salvation Through Vengeance”
20 Buck Spin
7 July 2015
20 Buck Spin has, over the course of the last ten years, worked with the best of the best in the crowded doom genre; bands as diverse as Samothrace, Graves At Sea, Pallbearer, Yob, Mournful Congregation, Lycus, Atlantean Kodex and more. In that tradition, the label is proud to present KHEMMIS, a quartet from Denver, who, on their debut full-length Absolution brings components of many of the aforementioned label alumni and forge a venerable testament to what heavy doom rock is in 2015.
The six meticulously crafted songs on Absolution reveal a level of musicianship and writing skill seldom heard on debut albums. Often within the scope of a single song, KHEMMIS veers effortlessly between the crushing heaviness of Southern sludge and the somber melodies of traditional doom metal, cohesively weaving the disparate styles into their own immediately recognizable form. Vocally, KHEMMIS also utilizes a dual approach, sometimes harsh and guttural, but generally through a stunningly smooth classic doom/heavy rock delivery that even adamant fans of Pete Stahl and Wino will applaud. The powerfully adept rhythm section perfectly anchor the towering riff mastery and colorful dual guitar harmonies, all brought together by Dave Otero?s (Cobalt, Nightbringer) pitch perfect production work.
From the album opener ?Torn Asunder? to closing track ?The Bereaved,? the latter of which will stand as THE doom track of 2015, Absolution positions KHEMMIS among the highlight surprises of the year. The band is most certainly a live act and will tour at intervals throughout the remainder of 2015, including a planned West Coast run in Summer 2015. Fans of Goatsnake, Pallbearer, Samothrace, Graves At Sea, Red Fang and Yob should keep the name KHEMMIS at the top of their list of bands to watch this year. The album?s Fantastic Frazetta inspired cover art by Sam Turner (Speedwolf, Black Breath, Trve Brewing) and track listing have been divulged.